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Matteo Pendant in Aged Brass

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Matteo Pendant in Aged Brass

Our Matteo Pendant in Aged Brass stuns with its wide, drum-shaped frame and intricate ribbed detailing, suspended by industrial-inspired linked chains. A warm, earthy metallic finish and distinctive alabaster diffuser softens this vintage silhouette. 

Why You'll Love This Lighting:

  • One-of-a-kind, alabaster shade with its naturally varied translucence
  • Vibrant golden brass finish, treated to resist rust and tarnishing
  • Overhead illumination perfect for kitchens, dining areas, and entryways
  • Fixture ships ready for standard installation*

*Bulb not included. Images may exclude wiring for illustrative purposes.

Our Matteo Pendant in Aged Brass stuns with its wide, drum-shaped frame and intricate ribbed detailing, suspended by industrial-inspired linked chains. A warm, earthy metallic finish and distinctive alabaster diffuser softens this vintage silhouette. 

Why You'll Love This Lighting:

  • One-of-a-kind, alabaster shade with its naturally varied translucence
  • Vibrant golden brass finish, treated to resist rust and tarnishing
  • Overhead illumination perfect for kitchens, dining areas, and entryways
  • Fixture ships ready for standard installation*

*Bulb not included. Images may exclude wiring for illustrative purposes.

$4,190.00
Matteo Pendant in Aged Brass
$4,190.00

Description

Our Matteo Pendant in Aged Brass stuns with its wide, drum-shaped frame and intricate ribbed detailing, suspended by industrial-inspired linked chains. A warm, earthy metallic finish and distinctive alabaster diffuser softens this vintage silhouette. 

Why You'll Love This Lighting:

  • One-of-a-kind, alabaster shade with its naturally varied translucence
  • Vibrant golden brass finish, treated to resist rust and tarnishing
  • Overhead illumination perfect for kitchens, dining areas, and entryways
  • Fixture ships ready for standard installation*

*Bulb not included. Images may exclude wiring for illustrative purposes.

Matteo Pendant in Aged Brass | Edward Martin